by Paul Jessup
It will probably happen to you. Almost every career for a professional writer hits a snag at some point. Usually after a huge burst of activity and a feeling of momentum, of going somewhere. It comes out of nowhere, out of left field.
by Amber Massey
There’s a zen phrase that asks, “If a tree falls in the forest and no one is around to hear it, does it make a sound?” For writers, here’s a different question: If you write a story and no one is able to read it, have you really told it? Typography and fonts have a big impact on readability.
by Jeffe Kennedy
It’s apropos that “Lonen’s War,” book one in my Fantasy Romance series, “Sorcerous Moons,” is featured in the first SFWA Fantasy StoryBundle. That’s because the fantastically smart and helpful folks in SFWA helped me out with a worldbuilding challenge.
By Anatoly Belilovsky
Dear Editor,
Submitted herewith for your kind consideration is “My Little Tale,” a flash piece of 750 words. The author, a SFWA member, hopes you find it suitable for publication in “Awesome Stories.”
by Bonnie Jo Stufflebeam
Low Residency MFA’s in Creative Writing offer students a chance to study and practice writing without having to move or quit their jobs. There are more than sixty such distance-based programs in the U.S. and Canada.
by Mary Rosenblum
How can I advertise my book with photos?
I hear that all the time when I suggest Instagram to author clients, followed by the sound of the exit door slamming on the author’s heels…
But Instagram is a huge and well established social media platform, and if you’re writing for teens through mid-twenties readers, this is the social media you want to master. Even Forbes Magazine has taken note of Instagram’s role with an article Can Instagram Keep People Reading Books?
by Stewart C Baker
In the past decade, web-based applications have really come into their own. This is great for authors, because it makes collaborating much easier, especially when your co-author doesn’t live nearby. The tools in this list run the gamut from online chat software to fully-fledged cloud-based authoring software. And, of course, many of them can be wonderful productivity boosters for solo authors, too.
by Stewart C Baker
Fiction writing is often presented as an intensely solitary pursuit, but look at the end of a published novel some time and you’ll see the author thank at least a dozen people for their help. And then there’s co-authoring…
by Shanna Swenson
Rejection is one of the worst parts of writing. When you get a story or novel rejected by an editor or agent, it stings. Your first instinct may be to go online and seek comfort and commiseration by letting your followers know what you’re going through. But stop and think before you spread the news of your rejection all over social media.
by Joshua Sky
Writing is fun, but it can also be a tough way to make a living. The wait times for checks can be a drag, and the dry spells between one sale to another can be Saharan. Even if a sale is made, too often the money can be nominal. However, an avenue in the field where writers can potentially make a comfortable living, while working on their passion projects, is copywriting, also known as writing for advertising.
Alternate history. Parallel worlds. Future crime. Alien invasion. Alien castaways. Time travel. Quantum intelligence—but don’t call him artificial. A haunted (sort of) robot. Deco punk. All this—and much more—spanning Ed’s writing career.
Veronica G. Henry is the author of Bacchanal, The Quarter Storm, and The Foreign Exchange (Feb 2023). She is a Viable Paradise alum, and a member of SFWA. Her stories have appeared in FIYAH Literary Magazine.
