The Science Fiction and Fantasy Writers of America (SFWA) is pleased to announce three additions to SFWA’s staff: Kevin Wabaunsee has been named as the new SFWA Managing Editor, Lauren Raye Snow has been named as the new SFWA Art Director, and Beth Dawkins has been named the new SFWA Volunteer Coordinator.
SFWA’s 2020 Nebula Conference is transforming into an entirely virtual conference, which will be live and interactive from May 29th-31st. Our goal is to create the essence of the Nebula Conference, even though the form has changed. Our vision is for attendees to feel elevated through the content, enjoy a sense of community with their peers, and have an opportunity for celebration.
by Catherine Lundoff
Got a new book coming out? If you need to do all or even some of your own publicity, a multi-pronged approach to getting the word out about it can very helpful. And, if you’re like most writers, your budget is somewhat limited. So let’s talk about what you can do that promotes your work, but keeps that promotion affordable.
Welcome to the March edition of the SFWA Market Report. Please note: Inclusion of any market in the report below does not indicate an official endorsement by SFWA.
by Martin Jenkins
One of the pleasures of genre is that it lets us identify a type of writing that we know we like. We’d feel short-changed if a crime novel didn’t feature a crime, after all, or if a romance didn’t put the travails of a relationship front and center. What we don’t want to see, however, is a mere repetition of genre tropes and clichés – it’s what is fresh and different in a work of fiction that keeps us turning the page while still being identifiably a genre work.
by Ken Pelham
Occasionally, you come across a work of fiction told in the form of documents. Letters, court reports, diaries, news articles, and such. We call this epistolary narration (from the root word, epistle, meaning “letter”). Some call epistolary a gimmick. I can’t speak for anyone else, but I’m a sucker for it.
by Dan Brotzel
Many writers find it difficult to talk about money, especially if it means asking for more and potentially risking turning down an offer of publication. But writing is a business as well as a passion, and the more cash you can secure for it, the more time you’ll be able to devote to your craft. Here are a few pointers on how to approach the dark art of negotiation…
Welcome to the February edition of the SFWA Market Report. Please note: Inclusion of any market in the report below does not indicate an official endorsement by SFWA.
by Amelia Wiens
One of the best parts of science fiction and fantasy is the worldbuilding. A key part of creating interesting worlds is creating diverse cultures that vary in some way from our own norms. That being said, it can be so hard to get out of our own culture’s point of view and redefine elements that we unconsciously take for granted.
by Hunter Liguore
What do you fear when you sit down to write? Fear can be the debilitating emotion that prevents us from getting into the chair in the first place. It’s the force that makes lengthy excuses for why we can’t write. Next to procrastination, fear can cause us to abandon projects, call it quits, or worse, abandon the writing completely.
Bhaaj grew up in ruins beneath the glittering City of Cries. Caught by poverty, she enlisted. Now retired and a PI, she works for the powerful Majda family. The elite of Cries are disappearing and only Bhaaj can find them—if she isn’t murdered first.
Jim has written more than 15 science fiction and fantasy novels. He’s a scientist, Ph.D. Electrical Engineering, specialty laser physics. His new hard SF series, The Blacksword Regiment, will be available beginning in July 2020.
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