by Kevin L. O’Brien
It should be pointed out that while it is easy to pattern a quasi-medieval fantasy society after medieval Europe, European society of the Middle Ages didn’t just appear out of nothing. It grew from antecedents and so was based on a foundation of varied traditions, and there is every reason to believe that a fictional society would be the same way.
by Clay Johnson
I’ve never been good at outlining before I write. If I know where the story is going, then the fun part is already done, and the writing becomes a chore. But this new thing, where I tell her a chapter, then think on it, smooth out the edges, and write it down, forced me into a mid-range style of outlining that really works for me.
Welcome to the October edition of the SFWA Market Report. Please note: Inclusion of any market in the report below does not indicate an official endorsement by SFWA.
by Ethan Ellenberg
It’s a whole new world of Author opportunity for anyone with a backlist and that includes the Estates of deceased Authors.
I’ve written this post to provide an overview of what Authors and Heirs should be monitoring and pursuing.
by Douglas Phillips
Sometimes, we get dragged into legal battles whether we like it or not. This happened to me, and I want to be sure every author hears the story, because it could happen to you too.
Welcome to the September edition of the SFWA Market Report. Please note: Inclusion of any market in the report below does not indicate an official endorsement by SFWA.
by Brenta Blevins
Invention is, simply, the process of identifying what to write. But, whether you’re new to writing or a prolific pro, invention doesn’t always feel simple when you’re stuck on a blank page or screen.
by Paul Jessup
Monsters and genre fiction go hand in hand. Or rather, claw in claw, if we’re being cheeky about it. From the mad science creations and aliens of science fiction, to the supernatural and mythic of fantasy and horror, there are monsters everywhere, even from the very start.
Welcome to the August SFWA Market report.
by Kevin L. O’Brien Welcome to Part Two of a series that examines technology and medieval machines that can be used in worldbuilding. In the first post of this series, I described how a quasi-medieval society could smelt all the iron it needed to generate and sustain an industrial revolution. However, while it could […]
These exciting, surreal, enigmatic, gut-wrenching, breathtaking, uplifting, tear-inducing tales offer you strange journeys into mysterious and wondrous places that you’ve never before imagined.
Laura Anne Gilman is the Nebula-nominated author of the Vineart War trilogy, the “Cosa Nostradamus” urban fantasy series, and a few other works, including the occasional short story. Under the name L.A. Kornetsky, she also writes mysteries.
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