by Kevin L. O’Brien Welcome to Part Two of a series that examines technology and medieval machines that can be used in worldbuilding. In the first post of this series, I described how a quasi-medieval society could smelt all the iron it needed to generate and sustain an industrial revolution. However, while it could […]
by Katherine Quevedo
A lot of discourse these days builds up the case for why the world needs more empathy. It’s not a hard case to make. When placed against the backdrop of artificial intelligence (AI) and the possible technological singularity, I believe empathy could become a source of competitive advantage for our species as a whole.
by Kevin L. O’Brien
Welcome to Part One of a series that discusses technology and medieval machines that can be used for worldbuilding.
Many fantasy stories gloss over technological details that would be vital in a real-world setting. For example: how would a medieval-level society acquire the iron it needs for tools and implements?
Welcome to the July edition of the SFWA Market Report. Please note: Inclusion of any market in the report below does not indicate an official endorsement by SFWA.
by Richard J. Chwedyk
Theodore Sturgeon once wrote this, emphatically, honestly, and truly: “One should write fiction carefully and consciously to someone, as one writes a letter; and the selection of that someone is the single most important skill that a writer can develop.”
by Sally Wiener Grotta
I write to understand. My characters and plots are formed in a subconscious that churns with confusion or concern about how the world functions (or fails to function). As I write the story my characters tell me, I find myself posing questions that “reflect and even explain the differences and forces that relate them all… hold them together… or tear them apart.” The journey is what matters to me.
by Ethan Ellenberg
Now we are in a whole new world. There are different ways to be published and author incomes are coming from a far wider range of sources. The standard book agreement that routinely grants the mainstream book publisher a license for the ‘term of copyright’ has to be re-considered.
Welcome to the June edition of the SFWA Market Report. Please note: Inclusion of any market in the report below does not indicate an official endorsement by SFWA.
News from the Neukom Institute: The Neukom Institute for Computational Science at Dartmouth College has awarded the inaugural 2018 Neukom Institute Literary Arts Awards in Speculative Fiction. The awards go to three works of fiction that demonstrate that the future can be imagined as something other than a slick, techno-dystopia. In the category of debut […]
Welcome to the May edition of the SFWA Market Report.
Cass is a 22nd century university student who – like most young adults – has always believed her parents were a bit stuck in the past. But on her eighteenth birthday she learns exactly how true this is…
Nathan Lowell has been a full time SF/F fan since before there was a space program and a full time novelist since 2012.
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