Well, folks. This is it. The final post in the series. I’m going to finish identifying basic patterns for the resolution phase, summarize what I’ve presented on structure, and wrap the whole series up.
Readers want their tension to build to a pitch. Then they want to feel a release. The resolution phase is where you deliver that delicious release.
Creativity is a nebulous, murky topic that fascinates me endlessly — how does it work? What habits to creative people do that makes them so successful at creativity?
The stories that use insight and decision are usually those where the main obstacle is the character’s internal problem. For example, in stories where love and friendship is on the line and the obstacle is the main character’s values, it may be that the hero has to make a decision to place love above something else.
Just as I need to know my hero’s goal, motives, and plan, I also need to know the same things about my antagonist. In fact, in some stories the antagonist’s plans are what drive the story.
Taking the readers to the point where it seems their worst fears will be realized and then turning it around only makes the victory sweeter. Giving the reader great hope, just before everything falls apart, makes the loss feel so much more terrible.
Are Facebook, Twitter and IM having any effect on the quality or volume of my work? These questions, coupled with a very long list of goals I wanted to accomplish, plagued me like a broken plot.
What you need to do is keep throwing troubles, conflicts, surprises, and obstacles at the reader. You also need to let the hero have some successes. This allows the reader to have cause to fear AND hope, and to not know for sure how it’s all going to turn out.
You become a writer by writing. You learn by damaging your ego, and giving more of yourself than you take. By a thousand revelations, by millions of words you improve.
If the main character is sympathetic and interesting, the reader will root for her and want to see what happens. If some of the particularities of the character and problem are surprising to the readers, it will generate more interest than if it’s something they’ve seen many times before.
In this sequel to THE DAEDALUS INCIDENT, interdimensional intrigue rocks the solar system. In 2134, the first manned mission to Saturn is marred by an incursion from another universe, one where sailing ships ply the void between worlds.
Larry Hodges is an active member of SFWA with 60+ story sales. His first novel “Sorcerers in Space” came out in 2013 from Class Act Books. He’s an Odyssey Writers Workshop graduate and full-time writer with seven books and 1400+ published articles.
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