There are few things that can destroy a good story faster than a bad reading. At the same time, a really good reading can make an audience excited and drive sales. Short of a background in theater, how can authors improve their reading skills?
Archive for the ‘The Business of Writing’ Category
First off, definition: an exclusive means just what it sounds like. You are giving an agent the opportunity to consider your work exclusively and you are agreeing that you will not submit to another agent until you’ve heard “yea” or “nay” from that agent. Sometimes exclusives are open-ended, sometimes there’s a time period attached.
The words “online marketing” are fairly generic, since there are quite a few components involved with this business practice. Marketers (like myself) often utilize web analytics, social media, blogging, natural and paid search, online advertising, etc. For authors, online marketing may be a little more targeted to our writing and publishing efforts via social media and blogging platforms.
With the publishing industry shifting so rapidly now, it’s always interesting to see what people think the new paradigm will be. Bernard Lunn takes a look at it in a two part article at ReadWriteWeb. As with any set of predictions it’s just guesswork, but guesses worth reading.
When attending a social function–whether it’s a small gathering at someone’s home, or a political fundraiser, or a room party at a convention–you are being gifted with the opportunity to meet, mingle, and make contact with a wide variety of people. What I intend to do here is give some pointers on how to get the most out of any social gathering, whether you’re there for business or for pleasure.
So here it is. You’re a fairly “new” writer, or at least new to the convention scene, and you desperately want to make some industry contacts in the hopes that it will make it easier to get an agent/sell your work/quit your day job and hire a cabana boy/any of the above. You decide to go to a convention, perhaps picking one of the “big” ones such as WorldCon, or World Fantasy, because you’ve heard that editors and agents are absolutely spilling out the doors.
Here are some guidelines/rules/suggestions to go by:
This .pdf document is an annotation of the Amazon Kindle contract as it was posted on Amazon’s Web site (downloaded in February, 2008).
Has your writing career stalled (or died) in mid-stream? John Betancourt offers some timely advice on how to jump back into the publishing boat.
Having trouble “confessing” your problems? Michael Bracken, author of several confessional stories, offers a few tidbits of advice.
This contract was written under the direction of the SFWA® Contracts Committee. The model or sample contracts have been written as a guide to writers in understanding common publishing contracts and to help them negotiate better contracts. They are not intended to be used as boilerplate contracts by publishers, writers, or agents, nor should such […]