My daughter Athena was born in 1998, and once my wife completed her six-week maternity leave, I was and still am the stay-at-home parent, caring for our daughter Athena during the day. Along the way I’ve also managed to write a dozen books and literally thousands of articles and entries for magazines, newspapers, blogs and online sites. How have I managed to juggle kid-watching duties with writing work?
Archive for the ‘The Business of Writing’ Category
Inside of genre circles, “YA” seems to be taking hold as a catch-all term for anything written for anyone under 18. Since so many people use YA as a catch-all, it’s becoming a catch-all, so how children’s book industry people define the category doesn’t matter. Does it?
Emergencies can happen, outside and within, and you may find yourself in need of assistance ASAP
When I consider trying to maintain my writing and care for human children, my head boggles. Others have done it, wresting time and space while caring for family. I decided to ask a small panel of talented writers and fellow SFWA members about how they did it
by Cat Rambo 1. Any debate about the current struggle between electronic and traditional print publishing begins with this fact: no one thinks that online publishing will not eventually overtake the traditional, hold-in-your-hand, made-of-dead-trees model. While you may well continue to be able to slip something paperback-sized into your back pocket two decades down the […]
I never thought I’d be re-visiting the issue of literary agents charging reading fees. After all, the problems inherent in the charging of reading fees are recognized by all four literary agents’ profession…
Self-promotion: a subject much on many writers’ minds. All across the Internet, new authors are urged to be proactive in publicizing themselves and their books–to build a “brand.” But what to do? And how much?
A frequent question, especially among self- and small press-published authors, is how books get into libraries, and what authors can do to help. Today, guest blogger and public librarian Abigail Goben explains how libraries choose the books they purchase–and what authors should (and shouldn’t) do to play a part in that process.
Monica Valentinelli talks about what it means to write non-fiction for the web versus writing for a print publication like a magazine.
Nebula and Hugo nominated author, Cherie Priest, discusses some of the aspects of authorial control over the publishing process.