by Lauren Roux
We wanted to reach out to the Science Fiction Writers of the world and offer up our expertise to answer any questions you might have about the regolith on the Moon, some of the ices that might be there, and what it’s like to actually handle the lunar soil that is not only dry, but statically charged.
News from Odyssey Writing Workshops Charitable Trust.
by Kevin L. O’Brien
It should be pointed out that while it is easy to pattern a quasi-medieval fantasy society after medieval Europe, European society of the Middle Ages didn’t just appear out of nothing. It grew from antecedents and so was based on a foundation of varied traditions, and there is every reason to believe that a fictional society would be the same way.
by Clay Johnson
I’ve never been good at outlining before I write. If I know where the story is going, then the fun part is already done, and the writing becomes a chore. But this new thing, where I tell her a chapter, then think on it, smooth out the edges, and write it down, forced me into a mid-range style of outlining that really works for me.
by Brenta Blevins
Invention is, simply, the process of identifying what to write. But, whether you’re new to writing or a prolific pro, invention doesn’t always feel simple when you’re stuck on a blank page or screen.
by Paul Jessup
Monsters and genre fiction go hand in hand. Or rather, claw in claw, if we’re being cheeky about it. From the mad science creations and aliens of science fiction, to the supernatural and mythic of fantasy and horror, there are monsters everywhere, even from the very start.
by Kevin L. O’Brien Welcome to Part Two of a series that examines technology and medieval machines that can be used in worldbuilding. In the first post of this series, I described how a quasi-medieval society could smelt all the iron it needed to generate and sustain an industrial revolution. However, while it could […]
by Katherine Quevedo
A lot of discourse these days builds up the case for why the world needs more empathy. It’s not a hard case to make. When placed against the backdrop of artificial intelligence (AI) and the possible technological singularity, I believe empathy could become a source of competitive advantage for our species as a whole.
by Kevin L. O’Brien
Welcome to Part One of a series that discusses technology and medieval machines that can be used for worldbuilding.
Many fantasy stories gloss over technological details that would be vital in a real-world setting. For example: how would a medieval-level society acquire the iron it needs for tools and implements?
by Richard J. Chwedyk
Theodore Sturgeon once wrote this, emphatically, honestly, and truly: “One should write fiction carefully and consciously to someone, as one writes a letter; and the selection of that someone is the single most important skill that a writer can develop.”
In these fascinating tales you’ll find apocalyptic landscapes, virtual worlds, far planets, alien invaders, monsters, heroes, villains, lovers, life, death, tragedy, and triumph.
M. Darusha Wehm is the Nebula-nominated author of the interactive fiction game The Martian Job, seven science fiction novels, several poems, and many short stories. Originally from Canada, Darusha currently lives in Wellington, New Zealand.
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