Let’s talk about self-promotion and how it feels icky.
Yes, self-promotion is awkward to do the first time. Yes, it is very easy to do badly. But–it is incredibly important to your career. Someone asked, “Isn’t it enough to write a good story?”
No.
According to Carolyn’s research, aided by Google, there are about 288,355 books published every year by traditional publishers. Current estimates anticipate 800,000 books will be self-published this year. So how do you make your book stand out among literally a million titles?
This is why I started blogging more than ten years ago. I wanted to connect with and learn from writers who knew what the heck they were doing. I found those people online. I read their journals, commented in their posts, and eventually got to know some of them.
A couple of days ago I covered Facebook’s new direction, including both the potential large upside for writers and the accompanying privacy concerns. But what about Google+?
Honestly, it is difficult (although not impossible) to avoid strategies that don’t incorporate Facebook in some way, either through a personal account or through Facebook Pages, at least not for writers who have at least one novel published. Once you have fans, Facebook becomes logical since it has the largest user base, therefore making it much more convenient as a way for people to find you.
Whether you want to self-publish your novel or are trying to land a traditional publishing contract, it is in every author’s interest to make connections and talk with the editors in our field.
The Speculative Speakers Service at AboutSF.com provides information for educators and conference organizers who are looking for guest speakers. Members of SFWA, who’d like to talk about SF at schools, meetings, or conferences, are invited to register.
Are Facebook, Twitter and IM having any effect on the quality or volume of my work? These questions, coupled with a very long list of goals I wanted to accomplish, plagued me like a broken plot.
Somewhere during the summer, when I got the latest “I can’t sell this” from an agent, I realized, “You can’t, but I can.” I have not looked back since.
Want other people to feel inclined to spread word of your stuff? Then make sure you’re doing it for them.
This powerful debut explores the liminal spaces between the magical and the mundane, horror and humor, fairy tales and fabulism. Dead Girl, Driving and Other Devastations erases expectations, forging new trails on the map of contemporary fiction.
Henry Chebaane is a writer, producer, director, designer. His creative work can be seen in films, hospitality concepts, location-based entertainment and music production. The Panharmonion Chronicles is his first graphic novel series.
Register now for the 2024 SFWA Nebula Conference--A weekend of professional development, panels, and networking for ALL genre writers!
