By Gunnar De Winter Much has been said and—obviously—written about the writer’s voice. But what if that voice speaks in a language that is not your native one? While a writer’s voice is, by definition, hard to define, it lives and thrives through idiosyncrasy. Your voice as a writer is the collection of verbal quirks, […]
James A. Moore (03 September 1965 – 27 March 2024) was a prolific, versatile, and award-winning horror, dark fantasy, comic, and game writer. He crafted a diverse set of multi-media and beloved works over three decades, from his debut novel Hell-Storm through his Tides of War and Seven Forges series and including Bram Stoker Award […]
Vernor Vinge (02 October 1944 – 20 March 2024) was a five-time Hugo Award winning author, credited for introducing the technological singularity. He won Hugo Awards for his breakout novel, A Fire Upon the Deep, as well as A Deepness in the Sky, Rainbows End, Fast Times at Fairmont High, and The Cookie Monster. Vinge […]
Welcome to the April edition of the SFWA Market Report. Please note: Inclusion of any venue in this report does not indicate an official endorsement by SFWA. Those markets included on this list pay at least $0.08/word USD in at least one category of fiction. This compilation is not exhaustive of all publication opportunities that pay […]
by Diana M. Pho Introduction The role of an editor in book publishing is shrouded in mystery. Perhaps it’s because our job faces dualistic scrutiny by writers. Editors are creative guides but also gatekeepers preventing you from getting published. Editors wield brilliant insights that strengthen the story, and they fight all of your artistic choices. […]
We are pleased to announce that our online anthology Publishing Taught Me now has a full roster of contributors! In addition to currently published essays by Oghenechovwe Donald Ekpeki and James Beamon (which are available here–https://www.sfwa.org/sfwa-publications/publishing-taught-me-a-sfwa-anthology-project/), we have essays upcoming from Diana Pho, Erika Hardison, Kanishk Tantia, Nelly Garcia-Rosas, Yoon Ha Lee, and Emily Jiang. Their essays […]
by Georgina Kamsika Have you ever read something that you knew was incorrect? Sometimes, research has fallen short of convincing people who know better, even though other readers might not notice anything wrong. For those who know, it can be jarring and pull them out of the story. How would you feel if that error […]
Locus magazine has a long history in our field; from a one-page zine founded to support a Worldcon bid, it has grown to become the premier industry magazine for science fiction and fantasy publishing. For decades, they’ve covered the news from authors signing with agents to sales of books to multi-page spreads for award ceremonies. […]
by Austin Conrad Fantasy’s enduring appeal stems from our imaginative exploration of the impossible. Each branch of speculative fiction asks the question “What if?” in their settings and stories. Many flowers on these branches portray a world which is plausible—outlandish and beautiful, but similar in nature to our own. In contrast, fantasy’s flowers enable us […]
by William C. Tracy Editor’s note: This is the first in a two-part series from William C. Tracy. Part 1 will focus on publishing and release costs, comparing traditional and indie publishing. Part 2 will present marketing resources, including a Google Sheets template, to help authors calculate their book costs. How much do you make […]
The Drunken Dragon is a satire of epic fantasies told from the dragon Draco’s perspective. If Groucho Marx had done GOT from a dragon’s perspective, it might have turned out like this.
Garrett Boatman is the author of Stage Fright, Floaters, Night’s Plutonian Shore, The Clocks of Midnight, The Mirror of Eternity, and A Prisoner of Dreamland. His stories have appeared in numerous magazines and anthologies.
