Self-Publishing: An Interview with Scott Nicholson

Somewhere during the summer, when I got the latest “I can’t sell this” from an agent, I realized, “You can’t, but I can.” I have not looked back since.
Somewhere during the summer, when I got the latest “I can’t sell this” from an agent, I realized, “You can’t, but I can.” I have not looked back since.
The times they are a-changing, the question of when will probably be answered after the next Christmas season as ebooks emerge at minimum as a major market force, over 20% of book sales is a conservative guess, so the answer to that one is soon.
Amazon.com is now offering BookScan information to authors enrolled in their Author Central program. For authors, previously one had to subscribe to BookScan or to get their sales numbers through their agents or publishers. Amazon says: We’re happy to announce that – for the first time ever – authors can see weekly sales trends of […]
Every book on how to be your own boss has instructions about when to give up your day job. Each one of these books has a particular rule of thumb. Some say you cannot quit your day job until you have three months’ salary in the bank.
My daughter Athena was born in 1998, and once my wife completed her six-week maternity leave, I was and still am the stay-at-home parent, caring for our daughter Athena during the day. Along the way I’ve also managed to write a dozen books and literally thousands of articles and entries for magazines, newspapers, blogs and online sites. How have I managed to juggle kid-watching duties with writing work?
When I consider trying to maintain my writing and care for human children, my head boggles. Others have done it, wresting time and space while caring for family. I decided to ask a small panel of talented writers and fellow SFWA members about how they did it
A frequent question, especially among self- and small press-published authors, is how books get into libraries, and what authors can do to help. Today, guest blogger and public librarian Abigail Goben explains how libraries choose the books they purchase–and what authors should (and shouldn’t) do to play a part in that process.
Monica Valentinelli talks about what it means to write non-fiction for the web versus writing for a print publication like a magazine.
Nebula and Hugo nominated author, Cherie Priest, discusses some of the aspects of authorial control over the publishing process.
Being paid for writing is the ultimate author’s dream. Today, guest blogger C. Hope Clark sheds light on an area of support that many writers don’t think of: Grants. There are plenty of them out there, if you know where to look–though, as Hope points out, you must be sure you meet their eligibility requirements, and are willing to conform to their conditions.
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