We are in a difficult time. The pandemic may have brought on a small vlogging and animated GIF renaissance, but for the overall economy, and creative artists, in particular, it has also brought the cancellation and suspension of much of our usual access to revenue. Uncertainty about the future is in the air, while bills […]
The Science Fiction and Fantasy Writers of America (SFWA, Inc.) is pleased to announce that Aydrea Walden has been named the toastmaster for the 55th annual Nebula Awards on May 30th, 2020 in an online ceremony.
by Kali Wallace
By now everybody who spends any time on the internet has seen the quarantine memes. Isaac Newton invented calculus during a plague outbreak–what are you doing with your time? Mary Shelley wrote Frankenstein when stuck inside during bad weather–why haven’t you invented a literary genre yet? Look at how Giovanni Boccaccio used his pandemic–have you been as productive?
Registration is now open for the transformed professional development conference.
The Science Fiction and Fantasy Writers of America (SFWA), today unveiled the virtual home for SFWA’s 2020 Nebula Conference Online and showcased features of the upcoming professional development conference for science fiction and fantasy writers.
The Science Fiction and Fantasy Writers of America (SFWA) is pleased to announce three additions to SFWA’s staff: Kevin Wabaunsee has been named as the new SFWA Managing Editor, Lauren Raye Snow has been named as the new SFWA Art Director, and Beth Dawkins has been named the new SFWA Volunteer Coordinator.
SFWA’s 2020 Nebula Conference is transforming into an entirely virtual conference, which will be live and interactive from May 29th-31st. Our goal is to create the essence of the Nebula Conference, even though the form has changed. Our vision is for attendees to feel elevated through the content, enjoy a sense of community with their peers, and have an opportunity for celebration.
by Catherine Lundoff
Got a new book coming out? If you need to do all or even some of your own publicity, a multi-pronged approach to getting the word out about it can very helpful. And, if you’re like most writers, your budget is somewhat limited. So let’s talk about what you can do that promotes your work, but keeps that promotion affordable.
Welcome to the March edition of the SFWA Market Report. Please note: Inclusion of any market in the report below does not indicate an official endorsement by SFWA.
by Martin Jenkins
One of the pleasures of genre is that it lets us identify a type of writing that we know we like. We’d feel short-changed if a crime novel didn’t feature a crime, after all, or if a romance didn’t put the travails of a relationship front and center. What we don’t want to see, however, is a mere repetition of genre tropes and clichés – it’s what is fresh and different in a work of fiction that keeps us turning the page while still being identifiably a genre work.
by Ken Pelham
Occasionally, you come across a work of fiction told in the form of documents. Letters, court reports, diaries, news articles, and such. We call this epistolary narration (from the root word, epistle, meaning “letter”). Some call epistolary a gimmick. I can’t speak for anyone else, but I’m a sucker for it.
The Earth is in environmental collapse. The future of humanity hangs in the balance. But a team of women are preparing to save it. Even if they’ll need to steal a spaceship to do it.
“Interstellar’s brain with Handmaid Tale’s heart” – Chuck Wendig
Laura Lam is the author of the near-future space thriller, GOLDILOCKS, feminist space opera SEVEN DEVILS (written with Elizabeth May), FALSE HEARTS, SHATTERED MINDS, PANTOMIME, SHADOWPLAY & MASQUERADE. She lectures on the Edinburgh Napier CW MA.
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