by Paul Jessup
Novels are hard, yo. I mean, books in general, maybe writing overall? But for me making that leap from short stories to novels was a difficult transition. I had to completely change my writerly habits, completely reinvent the ways I was doing things altogether.
by Daniel M. Bensen
So I have to get to work with my conscious mind. I have to soothe my limbic system as if it’s a spooked horse. I rub my fingers, I wiggle my toes, I take valerian pills. I imagine my body is being filled with glowing liquid, I compose haikus.
Welcome to the September edition of the SFWA Market Report.
The SFWA minimum payment rate for professional short fiction markets is now eight cents per word. In accordance with our mission to support and empower science fiction and fantasy writers, SFWA periodically reviews and adjusts the minimum payment rate for professional short fiction markets (known colloquially as the SFWA pro rate). On January 16, 2019, […]
by Ken Pelham
World-building is more than misty mountains, crumbling castles, dripping neon cityscapes, and talking rats. It’s also about psychology and language, and the language equation includes the everyday corruptions of jargon and slang.
Just a friendly reminder to all SFWA readers that today (August 22, 2019) is the very last day of the SFWA time travel bundle. That 14 books dripping with the finest paradox flavorings for fifteen bucks. Check it out at: https://storybundle.com/timetravel Full details: A Matter of Time Bundle – Curated by the Science Fiction and Fantasy […]
by Filip Wiltgren
Want to be insanely productive? Check this:
I live in a country where the fruit comes with stickers on it. Meaning that before you eat your apple, you need to remove a piece of plastic, clawing at the little sucker, then going and tossing it in the garbage. This takes about five seconds.
by Alan Bailey
Podcasters generally have a mixed reputation. Why? I’m not totally sure. Perhaps it’s because the entry fee is low, and anyone with an opinion can put it out there. The sheer number of podcasts doesn’t help either. So, how do you know which are worthwhile?
by Alex Woolf
One trend that I think is likely to have more enduring appeal is narrative non-fiction (NNF): the blending of story elements with non-fiction. Typically, this involves the author inventing characters and a simple plot device, such as a journey. Along the way, the characters discover real-world information, be it about science, history or geography. The idea is that by employing narrative techniques such as characterization, dramatic tension, dialogue and atmosphere, the process of information acquisition is made a lot more compelling.
We all know ‘an army marches on its stomach,’ but it’s not like Napoleon discovered something new. Vegetius (De re militari) and Sun Tzu (The Art of War) were well aware of this concept, as was Alexander the Great (Engels, Alexander the Great and the Logistics of the Macedonian Army, 1980). And it wasn’t news to them, either. Pre-modern military commanders knew this; they planned for this. They paid attention to logistics.
Fantasy writers should, too.
Publishers Lunch Buzz Books 2019 Selection
“An emotional story of familial love, tension, and mistrust among three sisters and three brothers . . . devastated by conquest and fanaticism.”—Publishers Weekly
(Addicted to Heaven, Book 1)
Diana Pharaoh Francis writes urban and traditional fantasy with much adventure, romance, danger, and intrigue. Her books include the Path series, Diamond City Magic series, Crosspointe Chronicles, Horngate Witches, and Mission: Magic.
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