By Nicole Valentine Note: This blog post is not an endorsement by SFWA of the products discussed within it. If you’re anything like me, the pandemic has cut into your ability to focus and write. It’s also changed the way we come together as a community. We’ve celebrated our Nebula Awards online twice now, and […]
Welcome to the April edition of the SFWA Market Report. Please note: Inclusion of any market in the report below does not indicate an official endorsement by SFWA. The markets included on this list all pay at least $0.08/word in at least one length-category of fiction. New Markets Bioluminescent: A Lunarpunk Anthology riddlebird Southeast Asian […]
By Renan Bernardo In the second century A.D., Lucian of Samosata wrote A True Story, a tale of space trips and alien life-forms. His first language was Syriac, but to reach the people of Athens, he wrote the tale in Attic Greek. Since then (and probably before), speculative fiction has been written by exophonic(1) writers […]
Bill Johnson (October 4, 1956–March 17, 2022) began publishing science fiction in 1977 with the story “Stormfall,” which appeared in Kate Wilhelm’s anthology Clarion SF. Over the years, he published around 30 stories. His 1997 story “We Will Drink a Fish Together” earned him the Hugo Award for Best Novelette and an Asimov’s Readers’ Poll […]
By Sherrie Cronin While independent authors can find many expensive ways to promote their books, and a few free ones, SWFA offers an opportunity for gaining both income and that coveted exposure all authors seek. For the past five years, SFWA has collaborated with StoryBundle (website) to produce annual collections of fantasy and science fiction […]
By Eugen Bacon I read Maurice Broaddus’s “Black Joy and Afrofuturism for Young Readers,” which heartens us to be present, fully and joyfully, not just for ourselves but for our children, our new adults, and our future generations. He dares that we find unapology for being, that ours becomes an everyday commitment to a joyful […]
By Maria Haskins Writing flash fiction—commonly defined as a story of no more than 1,000 or 1,500 words—can seem daunting at first try. Or addictive if you’ve already caught the flash-writing bug. These tips are based on my love for flash as a reader and writer, and I want to emphasize that they are tips, […]
By Alexia Chantel Editor’s note: This is the first installment in a new SFWA Blog series, Romancing Sci-Fi & Fantasy, from our Romance Committee! Expect new posts in this series in the coming months. Science fiction and fantasy (SFF) are epic magpies. Our genres borrow bits and pieces from all the other ones and add […]
By Jeff Somers It’s often noted that in baseball, making an out 70 percent of the time is considered all-star play(1). Although every writer’s experience will be different, writing often seems to offer a similar success ratio in terms of failed stories. Sometimes that failure also comes fast, which gives you the opportunity to start […]
Welcome to the March edition of the SFWA Market Report. Please note: Inclusion of any market in the report below does not indicate an official endorsement by SFWA. The markets included on this list all pay at least $0.08/word in at least one length-category of fiction. New Markets Cyberpunk-Solarpunk Anthology First Peoples Myths and Tales […]
In 19th-century York, England, a young woman inherits her father’s curiosity shop and all its ghostly secrets in a bewitching novel by the author of Salt & Broom. For lovers of Victorian ghost stories, yule folklore, and romantasy.
S.B. Divya is a lover of science, math, fiction, and the Oxford comma. She is the Hugo and Nebula nominated author of Meru and Machinehood. Her stories have appeared in numerous magazines and anthologies, and she is a former editor of Escape Pod.
