By Eugen Bacon I read Maurice Broaddus’s “Black Joy and Afrofuturism for Young Readers,” which heartens us to be present, fully and joyfully, not just for ourselves but for our children, our new adults, and our future generations. He dares that we find unapology for being, that ours becomes an everyday commitment to a joyful […]
By Maria Haskins Writing flash fiction—commonly defined as a story of no more than 1,000 or 1,500 words—can seem daunting at first try. Or addictive if you’ve already caught the flash-writing bug. These tips are based on my love for flash as a reader and writer, and I want to emphasize that they are tips, […]
By Alexia Chantel Editor’s Note: This is the first installment in a new SFWA Blog series, Romancing Sci-Fi & Fantasy, from our Romance Committee! Expect new posts in this series in the coming months. Science fiction and fantasy (SFF) are epic magpies. Our genres borrow bits and pieces from all the other ones and add […]
By Jeff Somers It’s often noted that in baseball, making an out 70 percent of the time is considered all-star play(1). Although every writer’s experience will be different, writing often seems to offer a similar success ratio in terms of failed stories. Sometimes that failure also comes fast, which gives you the opportunity to start […]
Welcome to the March edition of the SFWA Market Report. Please note: Inclusion of any market in the report below does not indicate an official endorsement by SFWA. The markets included on this list all pay at least $0.08/word in at least one length-category of fiction. New Markets Cyberpunk-Solarpunk Anthology First Peoples Myths and Tales […]
By Kahina Necaise Convincing fiction is about cause and effect. That’s why, in my work as an editor, the two questions I ask most often while diagnosing an issue with a client’s story are: Does this come out of nowhere? Does anything ever come of this? Does this come out of nowhere? is about unclear […]
By J. Scott Coatsworth Note: All recommendations in this article are the opinions of the author and do not reflect an approval or endorsement by SFWA. Two Paths to Indie Greatness As an indie author, you have two basic choices for distribution: Go all-in on Amazon—eBooks, paperback, and Kindle Unlimited (KU). Or “go wide,” and […]
Tom Dupree (November 27, 1949–February 7, 2022), a SFWA member, worked as a senior editor at Bantam Spectra during the 1990s, where he line-edited their Star Wars novels among many other titles and worked with authors such as Dan Simmons and Lisa Mason. He later became an executive editor at HarperCollins. In 1995, Dupree, along […]
By Rebecca Hardy I love systems. I think most worldbuilders do, at least to some extent. Systems of magic. Systems of currency. Systems of governance and geopolitical conflict in underwater cities, postapocalyptic wastelands, and galactic civilizations. And . . . systems in the real world, which can sometimes be the most challenging of all. I’ve […]
The Science Fiction and Fantasy Writers of America (SFWA) Grants Committee has awarded 25 organizations, activities, and public interest programs with 2022 Givers Fund Grants ranging from $350 to $4,800. Since 2014, when SFWA transitioned to an active 501(c)3 charitable organization, the nonprofit association has given away over $250,000 in grants from its Givers Fund. […]
Patrick thought he knew what awaited him in the afterlife. He’s learning the hard way that he was dead wrong. He is hunted by a race of giant beasts, the likes of which have never been seen by living eyes.
Eli K.P. William is the author of CASH CRASH JUBILEE and the remaining two books of the JUBILEE CYCLE trilogy, set in a dystopian future Tokyo. His translation of the Japanese novel A MAN by Keiichiro Hirano is a bestseller. He is based in Japan.
