Archive for the ‘SFWA Blog’ Category

THE INDIE FILES: Writing Through Trauma

by J. Scott Coatsworth In the middle of 2022, I broke my arm. And not just a simple fracture—my orthopedic surgeon said it looked like it had exploded. Thus began a difficult (and still in progress) recovery. I won’t go into the gory details—suffice it to say that for about six weeks, I was unable […]

SFWA Market Report – March 2023

Welcome to the March edition of the SFWA Market Report. Please note: Inclusion of any venue in this report does not indicate an official endorsement by SFWA. Those included on this list pay at least $0.08/word in at least one category of fiction. This compilation is not exhaustive of all publication opportunities that pay our recommended […]

Diamond in the Rough: How to Shine in the Slush Pile

A.J. Cunder As an editor, I’m tempted to say there’s a certain magic when it comes to submissions that catch my eye in the slush pile: an ethereal feeling when the story just clicks, an almost intangible quality to the author’s wordsmithing. But of course, to reduce an editor’s decision to magic (even in the […]

THE INDIE FILES: Balancing the Indie Workload

By Anthony W. Eichenlaub Your time has value. That’s it. That’s the lesson. If you’re looking to save a few minutes, you can skip the rest of this article and just keep that one thought in mind. Your minutes have worth, and how you spend them is as important as how you spend your money. […]

SFWA Market Report – February 2023

Welcome to the February edition of the SFWA Market Report. Please note: Inclusion of any venue in this report does not indicate an official endorsement by SFWA. Those included on this list pay at least $0.08/word in at least one category of fiction. This compilation is not exhaustive of all publication opportunities that pay our recommended […]

Making Soft Magic Systems Work

By M.K. Hutchins Soft magic has been with us since humans had stories: it’s in our fairytales, our folklore, and continues to be popular today, appearing in everything from Studio Ghibli films to the writings of Terry Pratchett, to Axie Oh’s The Girl Who Fell Beneath the Sea. Soft magic usually gets defined by what […]